Mary Anne
Artisan
Donna
Artisan
Tajah
Production Manager
Stories from
our Artisans
MudGirls Studios transforms the lives of women facing adversity by offering them training, employment and a pathway out of poverty. Clay becomes more than just art—it becomes a tool for personal and economic empowerment, helping women reshape their futures. Read the impactful stories from some of our talented artisans below.
Mary Anne
“It’s kind of fascinating,” Mary Anne says about seeing people react to the stunning Tileworks™ installations she and her fellow MudGirls artisans create. “I don’t believe people out there know that we actually make the wall tiles. And, when you walk in, it’s like: Wow, we made that!”
In her life before MudGirls Studios, Mary Anne never made anything with clay. She never really did art, except during elementary school art classes.
That all changed several years ago, when she was given the opportunity to work with clay for the first time. It was during a ‘clay day’ at Adelaide’s Place, a day shelter for homeless and at-risk women in Atlantic City. She remembers feeling like it just wasn’t for her; she didn’t really feel like art was for her.
Dorrie Papademetriou, the founder, designer, and visionary behind MudGirls Studios, saw something in Mary Anne, though.
“Dorrie asked me to join,” she remembers about the beginning of MudGirls in late 2016. “I guess she liked my work. She [had] just opened the Studio and she asked me to come work for her.”
About a year before joining MudGirls, Mary Anne found her way out of homelessness. She was homeless for a little more than two years, Mary Anne shares, emphasizing with a note of gratitude and slight tinge of guilt that she was homeless for “only” a little more than a year. “I know it takes women years to come out of it,” she points out.
Tall, thin, and radiating an intangible, contagious energy, Mary Anne says it took time for her to adjust to her work with MudGirls. She was insecure and nervous all the time, she recalls. She struggled with her confidence and worried about making mistakes.
Slowly, she started to get more comfortable. She started to feel confident not only in her ability, but in herself.
Mary Anne smiles. “I just know that I’m happy now. It’s nice to wake up and enjoy coming to work. I’m having my coffee and I really can’t wait to get out the door. I don’t know if it’s because I’m in the house too much…,” she teases.
But it’s not because she’s in the house too much. MudGirls, for Mary Anne, has had a significant impact on her life. Especially when she thinks about where she was before being homeless.
“It was...like, a lonely life,” Mary Anne reflects on her life when she was working in the casinos. In 2013, after 22 years working in an Atlantic City casino, she lost her job and soon found herself without a home. She said it was devastating.
She doesn’t talk much about her experience of being homeless. Instead she focuses on what she’d tolerated in her casino job compared with what she feels and experiences being a part of MudGirls Studios.
“In the beginning, it was fun,” she recalls about the early days in the casinos. “But it was very hard to make everybody happy. Our employer put so much pressure on us. It was very unhappy.”
Now, she feels comfort, safety, and she looks forward to what is ahead for her with the MudGirls Studios as a part of her life. “I look back and think everything happened for a reason. You know? It’s like I’m happy now; I wasn’t happy back then. It’s really good to love the people you work with. It’s kind of like we’re a family.”
Donna
When you first see Donna in the MudGirls Studio, she’s usually working the clay. Strong, soft hands kneading the mud. Preparing it for transformation. Molding and shaping the clay, Donna later says, “eases my mind.”
Before MudGirls Studios, these moments of ease, if they happened at all, were few and far between. She tells stories of her years living street to street, shelter to shelter, city to city, in a type of code; just skirting the edges of the moments of serious peril, trauma, and the exhaustion of constant vulnerability she survived. Each story is close to her heart and, Donna remembers, was a stop “on my journey.”
She folds her hands in her lap and shares that nearly 20 years ago, she was a “total mess” when her parents threw her and her children out. Back then, she felt she could handle the streets better on her own and, because it was better for them, Donna relinquished her two children to their father and began what would become 13 years of homelessness.
“You feel disgraceful and not wanted,” she admits as she looks at her hands, still lightly coated with the sooty silver of dry clay.
For a time, she wandered through cities, looking for a home. “Do they still do jazz nights on the water?” she asks about Baltimore, a city whose streets she slept on during her journey. Her eyes sparkle as she describes planting herself on the grass just on the edges of one of the outdoor venues of the Inner Harbor, listening to the music into the early hours of the morning. From Baltimore to DC and eventually to Atlantic City. When she first arrived in Atlantic City, she remembers, “Atlantic City didn’t want me. They told me to go back where I came from.”
But Atlantic City would keep her - or she would keep it. Donna notes that God told her to go to Atlantic City.
Being homeless in Atlantic City wasn’t forgiving; she lost a lot and struggled quite a bit. Except when she was at Adelaide’s Place, a day shelter for homeless women. Donna spent her days there and it was there that Donna and Dorrie Papademetriou met. Dorrie brought the clay and, soon, the vision of MudGirls Studios.
Donna enjoyed the ‘clay days’ at Adelaide’s Place, but confesses she didn’t know what to expect out of the idea of MudGirls Studios. “All I knew was I was gonna be creative.”
One of the founding MudGirls, Donna believes she’d still be on the streets if it were not because of what those ‘mud days’ grew into. It was like “here, I go again...learning about myself!,” she says.
Five years, thousands of pounds of clay later, Donna sees the Studio as not only a job, but a reminder of her value. She knows she is integral to the process, the team, and all the MudGirls have accomplished.
In the studio now, beaming and proud, she points out the breathtaking vases and platters she’s helped make. Each is perfectly organic. Leaves, waves, circles stud the pieces in harmonious curves and patterns. Big, bold statement pieces - serving bowls, platters, and vases - these are Donna’s favorites to create. If you purchase or receive one of these, you may find they radiate an added abundance of joy and presence. That feeling comes from Donna and the deep peace and ease she feels as she continues along on this part of her journey.
Tajah
“When I first came here I could barely talk to people so standing in front of people and teaching them, I don’t think I would’ve seen myself doing that four years ago, I was too nervous.”
Tajah started having difficulty in junior high school. By high school, she had dropped out. Eventually, she enrolled in a program to get her GED, which directed her to MudGirls Studios. After two weeks, studio founder and director Dorrie asked her if she wanted to work in the studio. Tajah is now the studio supervisor, teaching the basics of clay and helping both the MudGirls and outside community groups make clayworks. She has directed classes for all ages at Reeds Farm in Atlantic County and at Mighty Writers, a children’s group that meets in Atlantic City.
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Dorrie taps into Tajah’s creativity by asking her opinion on designs, colors and projects. With outside community groups, Tajah teaches people to roll the clay out, design it, glaze it. She hones her leadership skills by practicing patient, quiet direction. She has taken a local community college class in baking and pastry, testing out other possible interests.
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MudGirls has given Tajah the financial benefits of being able to help her family buy food and contribute to the household rent. The social benefits have been equally valuable. On top of a well-earned sense of self, Tajah has found a sense of community. “I’ve gotten to meet all new types of people and found a support system”